Berkeley sonatina flute pdf free12/29/2022 It's what Webern has in the highest degree … and what Boulez has not yet found. Finding the form for your language is the most difficult thing. In working on this Flute Sonata I have the feeling of going back a long way, but with a more settled technique. When he had completed the first two of the three movements, he wrote to his friend Pierre Bernac: Poulenc spent the winter of 1956–57 in Cannes, where he composed the sonata between December and March. The sonata was commissioned in memory of a musical benefactor, Elizabeth Sprague Coolidge, to whom Poulenc dedicated the work. Poulenc told him, "Much more at home with wind instruments than strings, I admit I am tempted by this combination", as he had always preferred winds – with their similarities to the human voice – to stringed instruments. Poulenc was too busy to accept, but Spivacke persisted. In April 1956, when he was still working on the opera, he was approached by Harold Spivacke of the American Library of Congress with a request to write a piece for two pianos or alternatively a chamber piece for up to six instruments. Poulenc began to think of writing a flute sonata in 1952, but he was occupied with his Sonata for Two Pianos and then his opera, Dialogues des Carmélites.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |